168 Scale Formulas!!!!!Have Fun - Guitars101

Moguitar · 01-14-2007, 09:38 PM

168 Scale Formulas bb=Double Flat N=Natural

Major: 1-2-3-4-5-6-7-1
Dorian: 1-2-3b-4-5-6-7b-1
Phrygian: 1-2b-3b-4-5-6b-7b-1
Lydian: 1-2-3-4#-5-6-7-1
Mixolydian: 1-2-3-4-5-6-7b-1
Aeolian: 1-2-3b-4-5-6b-7b-1
Locrain: 1-2b-3b-4-5b-6b-7b-1
Melodic: 1-2-3b-4-5-6-7-1
Dorian b2: 1-2b-3b-4-5-6-7b-1
Lydian Aug: 1-2-3-4#-5#-6-7-1
Lydian Dom: 1-2-3-4#-5-6-7b-1
Hindu: 1-2-3-4-5-6b-7b-1
Locrian N2: 1-2-3b-4-5b-6b-7b-1
Super Locrian: 1-2b-3b-4b-5b-6b-7b-1
Harmonic Minor: 1-2-3b-4-5-6b-7-1
Locrian N6: 1-2b-3b-4-5b-6-7b-1
Ionian #5: 1-2-3-4-5#-6-7-1
Dorian #4: 1-2-3b-4#-5-6-7b-1
Phrygian N3: 1-2b-3-4-5-6b-7b-1
Lydian #2: 1-2#-3-4#-5-6-7-1
Alt bb7: 1-2b-3b-3-5b-6b-7bb-1
Harmonic Major: 1-2-3-4-5-6b-7-1
Dorian b5: 1-2-3b-4-5b-6-7b-1
Phrygian b4: 1-2b-3b-4b-5-6b-7b-1
Lydian b3: 1-2-3b-4#-5-6-7-1
Dominant b2: 1-2b-3-4-5-6-7b-1
Lydian Aug #2: 1-2#-3-4#-5#-6-7-1
Locrian bb7: 1-2b-3b-4-5b-6b-7bb-1
Hungarian Minor: 1-2-3b-4#-5-6b-7-1
Oriental: 1-2b-3-4-5b-6-7b-1
Ionian Aug #2: 1-2#-3-4-5#-6-7-1
Ionian bb3 bb7: 1-2b-3bb-4-5b-6b-7bb-1
Double Harmonic: 1-2b-3-4-5-6b-7-1
Lydian #6 #2: 1-2#-3-4#-5-6#-7-1
Alt N5 bb7: 1-2b-3b-3-5-6b-7bb-1
Hungarian Major: 1-2#-3-4#-5-6-7b-1
Alt bb6 bb7: 1-2b-3b-3-5b-6bb-7bb-1
Locrian N2 N7: 1-2-3b-4-5b-6b-7-1
Alt N6: 1-2b-3b-3-5b-6-7b-1
Melodic Aug: 1-2-3b-4-5#-6-7-1
Dorian b2 #4: 1-2b-3b-4#-5-6-7b-1
Lydian Aug #3: 1-2-3#-4#-5#-6-7-1
Neapolitan Minor: 1-2b-3b-4-5-6b-7-1
Lydian #6: 1-2-3-4#-5-6#-7-1
Dominant Aug: 1-2-3-4-5#-6-7b-1
Hungarian Gypsy: 1-2-3b-4#-5-6b-7b-1
Locrian N3: 1-2b-3-4-5b-6b-7b-1
Ionian #2: 1-2#-3-4-5-6-7-1
Alt bb3 bb7: 1-2b-3bb-3-5b-6b-7bb-1
Neapolitan Major: 1-2b-3b-4-5-6-7-1
Lydian Aug #6: 1-2-3-4#-5#-6#-7-1
Lydian Dom Aug: 1-2-3-4#-5#-6-7b-1
Lydian Minor: 1-2-3-4#-5-6b-7b-1
Major Locrian: 1-2-3-4-5b-6b-7b-1
Alt N2: 1-2-3b-3-5b-6b-7b-1
Alt bb3: 1-2b-3bb-3-5b-6b-7b-1
Enigmatic Minor: 1-2b-3b-4#-5-6#-7-1
Mode 2: 1-2-4-4#-6-6#-7-1
Mode 3: 1-2#-3-5-5#-6-7b-1
Mode 4: 1-2b-3-4-5b-6bb-7bb-1
Mode 5: 1-2#-3-4-5b-6b-7-1
Mode 6: 1-2b-3bb-3-5bb-6b-7bb-1
Mode 7: 1-2b-3bb-3-5-6b-7-1
Enigmatic: 1-2b-3-4#-5#-6#-7-1
Mode 2: 1-2#-4-5-6-6#-7-1
Mode 3: 1-2-3-4#-5-6b-7bb-1
Mode 4: 1-2-3-4-5b-6bb-7b-1
Mode 5: 1-2-3b-3-4-6b-7b-1
Mode 6: 1-2b-3bb-3-5b-6b-7b-1
Mode 7: 1-2b-3bb-4-5-6-7-1
Composite II: 1-2b-3-4#-5-6b-7-1
Mode 2: 1-2#-4-4#-5-6#-7-1
Mode 3: 1-2-3b-3-5b-6b-7bb-1
Mode 4: 1-2b-3bb-4-5b-6bb-7b-1
Mode 5: 1-2b-3-4-5b-6-7-1
Mode 6: 1-2#-3-4-5#-6#-7-1
Mode 7: 1-2b-3bb-4-5-6b-7bb-1
Ionian b5: 1-2-3-4-5b-6-7-1
Dorian b4: 1-2-3b-4b-5-6-7b-1
Phrygian bb3: 1-2b-3bb-4-5-6b-7b-1
Lydian b2: 1-2b-3-4#-5-6-7-1
Super Lydian Aug: 1-2#-4-4#-5#-6#-7-1
Aeolian bb7: 1-2-3b-4-5-6b-7bb-1
Locrian bb6: 1-2b-3b-4-5b-6bb-7b-1
Locrian N2: 1-2b-3b-4-5b-6b-7-1
Ionian #6: 1-2-3-4-5-6#-7-1
Dorian Aug: 1-2-3b-4-5#-6-7b-1
Phrygian #4: 1-2b-3b-4#-5-6b-7b-1
Lydian #3: 1-2-4-4#-5-6-7-1
Dominant #2: 1-2#-3-4-5-6-7b-1
Alt Alt: 1-2b-3bb-3-5b-6bb-7bb-1
Persian: 1-2b-3-4-5b-6b-7-1
Mode 2: 1-2#-3-4-5-6#-7-1
Mode 3: 1-2-3bb-3-5-6b-7bb-1
Mode 4: 1-2b-3b-4#-5-6b-7-1
Mode 5: 1-2-4-4#-5-6#-7-1
Mode 6: 1-2#-3-4-5#-6-7b-1
Mode 7: 1-2b-3bb-4-5b-6bb-7bb-1
Minor Pent: 1-3b-4-5-7b-1
Major Pent: 1-2-3-5-6-1
Mode 3: 1-2-4-5-7b-1
Mode 4: 1-3b-4-5#-7b-1
Mode 5: 1-2-4-5-6-1
Kumoi: 1-2-3b-5-6-1
Mode 2: 1-2b-4-5-7b-1
Mode 3: 1-3-5b-6-7-1
Mode 4: 1-2-4-5-6b-1
Mode 5: 1-3b-4-5b-7b-1
Hirojoshi: 1-2-3b-5-6b-1
Mode 2: 1-2b-4-5b-7b-1
Mode 3: 1-3-4-6-7-1
Mode 4: 1-2b-4-5-6b-1
Mode 5: 1-3-4#-5-7-1
Whole Tone: 1-2-3-4#-5#-6#-1
Augmented: 1-2#-3-5-6b-7-1
Mode 2: 1-2b-3-4-5#-6-1
Pelog:1-2b-3b-3-5-6b-1
Mode 2: 1-2-3b-4#-5-7-1
Mode 3: 1-2b-3-4-6-7b-1
Mode 4: 1-2#-3-5#-6-7-1
Mode 5: 1-2b-4-5b-6b-7bb-1
Mode 6: 1-3-4-5-6b-7-1
Dominant Sus: 1-2-4-5-6-7b-1
Mode 2: 1-3b-4-5-6b-7b-1
Mode 3: 1-2-3-4-5-6-1
Mode 4: 1-2-3b-4-5-7b-1
Mode 5: 1-2b-3b-4-6b-7b-1
Mode 6: 1-2-3-5-6-7-1
Dimin: Whole-Half: 1-2-3b-4-5b-6b-6-7-1
Half-Whole Dimin: 1-2b-3b-3-4#-5-6-7b-1
8 Tone Spanish: 1-2b-3b-3-4-5b-6b-7b-1
Mode 2: 1-2-3b-3-4-5-6-7-1
Mode 3: 1-2b-2-3b-4-5-6-7b-1
Mode 4: 1-2b-2-3-4#-5#-6-7-1
Mode 5: 1-2b-3b-4-5-6b-7b-7-1
Mode 6: 1-2-3-4#-5-6-7b-7-1
Mode 7: 1-2-3-4-5-6b-6-7b-1
Mode 8: 1-2-3b-4-5b-5-6b-7b-1
Bebop Locrian N2: 1-2-3b-4-5b-6b-7b-7-1
Mode 2: 1-2b-3b-3-4#-5#-6-7b-1
Mode 3: 1-2-3b-4-5-6b-6-7-1
Mode 4: 1-2b-3b-4-5b-5-6-7b-1
Mode 5: 1-2-3-4-5b-6b-6-7-1
Mode 6: 1-2-3b-3-4#-5-6-7b-1
Mode 7: 1-2b-2-3-4-5-6b-7b-1
Mode 8: 1-2b-3b-3-4#-5-6-7-1
Bebop Dominant: 1-2-3-4-5-6-7b-7-1
Bebop Minor: 1-2-3b-4-5-6b-6-7b-1
Bebop Loc add 5: 1-2b-3b-4-5b-5-6b-7b-1
Mode 4: 1-2-3-4-5b-5-6-7-1
Mode 5: 1-2-3b-3-4-5-6-7b-1
Mode 6: 1-2b-2-3b-4-5-6b-7b-1
Mode 7: 1-2b-2-3-4#-5-6-7-1
Mode 8: 1-2b-3b-4-5b-6b-7b-7-1
Bebop Dorian: 1-2-3b-4-5-6-7b-7-1
Mode 2: 1-2b-3b-4-5-6b-6-7b-1
Mode 3: 1-2-3-4#-5-6b-6-7-1
Mode 4: 1-2-3-4-5b-5-6-7b-1
Mode 5: 1-2-3b-3-4-5-6b-7b-1
Mode 6: 1-2b-2-3b-4-5b-6b-7b-1
Mode 7: 1-2b-2-3-4-5-6-7-1
Mode 8: 1-2b-3b-3-4#-5#-6#-7-1
Bebop Major: 1-2-3-4-5-6b-6-7-1
Mode 2: 1-2-3b-4-5b-5-6-7b-1
Mode 3: 1-2b-3b-3-4-5-6b-7b-1
Mode 4: 1-2-3b-3-4#-5-6-7-1
Mode 5: 1-2b-2-3-4-5-6-7b-1
Mode 6: 1-2b-3b-3-4#-5#-6-7-1
Mode 7: 1-2-3b-4-5-6b-7b-7-1
Mode 8:1-2b-3b-4-5b-6b-6-7b-1

SirChick · 01-15-2007, 01:19 PM

Ok thats one impressive list ... but i dont actually understand forumlas with scales :S whats it all about ?

Moguitar · 01-15-2007, 01:26 PM

Understanding The Formula Chart : Basics

The formula chart relates a Number to EVERY note on the guitar.There are 12 Notes on the guitar that consist of 7 natural notes and 5 enharmonic notes...

Your Natural notes are - C - D - E - F - G - A - B

Your enharmonic notes are the sharps (#) and flats (b):

C#/Db - D#/Eb - F#/Gb - G#/Ab - A#/Bb

(Note:Enharmonic notes sound the same as far as tone.)

Now when you write all the notes Naturals and Enharmonics together you get all the notes chromatically...(See Image 1...)

In the pic of the notes chromaticaly I added the 13th note to complete the octave.Now if you look at the notes chromatically you'll notice that there are no notes between E - F and B - C...
Here's how the numbers get placed above the notes.
(See Image 2 .)As you can see every note has a relative number..For the sake of ease I made the chart in the key of C.(But it can be changed to any key..)
Now let's say we wanted to figure out the notes for the C Major (Ionian) scale..(Using the Scale Formlas I posted in the scales section) We take the Numbers I wrote in that and Relate the to the notes underneath. So the C Major Scale is:
1- 2 - 3 - 4 - 5 - 6 - 7 - 1

When you find these numbers on the chart and compare numbers to notes you get:
1- 2 - 3 - 4 - 5 - 6 - 7 - 1
C - D - E - F - G - A - B - C

You now have the notes needed to make up the Major scale in the key of C..
Now say you want to make a Major Chord(Using the Chord Formulas I posted) we see that the Numbers Needed to make a Major Chord are : 1 - 3 - 5

Again compare numbers to notes.You should get :

1 - 3 - 5
C - E - G

Now Lets do the Natural Minor Scale (Aeolian)..the numbers for it are:
1 - 2 - 3b - 4 - 5 - 6b - 7b - 1

Again compare............You should get..........

1 - 2 - 3b - 4 - 5 - 6b - 7b - 1
C - D - Eb - F - G - Ab - Bb- C

Now The Minor Chord.....The Numbers are : 1 - 3b- 5

Compared you get: 1 - 3b- 5
C - Eb - G

(Note By looking at the C Minor Scale you can also se how many flats are in it (3) this relates to the circle of 5ths....So if you were to look at a peice of sheet misic and it has three flats as the key signature it would be in C Minor)

Now say you want to change the Key of the chart to A
You would still use the same numbers just change the notes beneath them.....
1- 2 - 3 - 4 - 5 - 6 - 7 - 1
A- B -C#- D - E -F#-G# - A

Do the same for chords just chanege the notes beneath the numbers
just be sure to place the notes beneath them in chromatic order...
And you can use this method for all the scale/chrod formulas I've already posted...

That's the basic idea behind the formula chart....I'm adding printable Version of the chart...I filled it in completely....

Moguitar · 01-15-2007, 01:29 PM

Here's a copy of the formula chart filled out completely...Just match the numbers to the notes in whatever key you want too...I have more posted about this at www.gearpedia.net in the lessons section...Parts of it under scales and parts of it under theory..........]

**T.A.Z** · 01-16-2007, 12:40 AM

Well...I looked at this late last night...and it scared the hell out of me!! (I had nightmares!!

)

But looking at it today, I can really appreciate the effort and time that went into this. Thanks very much for sharing it!!

Moguitar · 01-16-2007, 04:41 AM

Not a problem...Hopefully you all get some use out of it...

I didn't mean to Scare you....but BOO anyway...When I first learned this stuff it scared the hell out of me too...Then I tried it and it was REALLY easy once I got the hang of it...

If anyone has any questions about any of it feel free to e-mail me I'll help out in any way I can...My E-Mail is Moguitar2000@yahoo.com

SirChick · 02-01-2007, 09:50 AM

the amount of info on here, it could be worth to sticky this post

Sean · 02-01-2007, 10:01 AM

Great thread Mo!

Quote:

Originally Posted by SirChick

the amount of info on here, it could be worth to sticky this post

Good idea. I'll get right on that.

SirChick · 02-01-2007, 12:19 PM

possibly in the lessons thread ...

Moguitar · 02-01-2007, 08:42 PM

SirChick.....I was just wondering if you got a chance to try it out at all since your post from before I added the basics part..

Hopefully you have and can give me some feedback on what you think of it..

If any one has tried it please give me some feedback..

Theres lots of cool stuff you can do if you start looking at the notes as numbers rather than c-d-e-f-g and so on....

I learned this way taking summer sessions at berklee and I'm willing to share everything I learned but I need some feedback

SirChick · 02-02-2007, 10:34 AM

Yeah it makes good sense.. very simple once you sorta see it properly.

Just one favour which may help people to find sumin specific.. maybe seperate the formulaes in modal groups! for example:

Major modes

-------

harmonic modes
----------

Melodic modes
---------

Etc if you know which formula's are the modes of a key.. cos i want to learn the melodic modes but cant quite see where the melodic modes ends in the list.. lol sorry

:P but im sure u understand what i mean right ?

Moguitar · 02-02-2007, 11:30 AM

Not a prohblem here you go the whole list...

168 Scale Formulas bb=Double Flat N=Natural

Major: 1-2-3-4-5-6-7-1
Dorian: 1-2-3b-4-5-6-7b-1
Phrygian: 1-2b-3b-4-5-6b-7b-1
Lydian: 1-2-3-4#-5-6-7-1
Mixolydian: 1-2-3-4-5-6-7b-1
Aeolian: 1-2-3b-4-5-6b-7b-1
Locrain: 1-2b-3b-4-5b-6b-7b-1

Melodic: 1-2-3b-4-5-6-7-1
Dorian b2: 1-2b-3b-4-5-6-7b-1
Lydian Aug: 1-2-3-4#-5#-6-7-1
Lydian Dom: 1-2-3-4#-5-6-7b-1
Hindu: 1-2-3-4-5-6b-7b-1
Locrian N2: 1-2-3b-4-5b-6b-7b-1
Super Locrian: 1-2b-3b-4b-5b-6b-7b-1

Harmonic Minor: 1-2-3b-4-5-6b-7-1
Locrian N6: 1-2b-3b-4-5b-6-7b-1
Ionian #5: 1-2-3-4-5#-6-7-1
Dorian #4: 1-2-3b-4#-5-6-7b-1
Phrygian N3: 1-2b-3-4-5-6b-7b-1
Lydian #2: 1-2#-3-4#-5-6-7-1
Alt bb7: 1-2b-3b-3-5b-6b-7bb-1

Harmonic Major: 1-2-3-4-5-6b-7-1
Dorian b5: 1-2-3b-4-5b-6-7b-1
Phrygian b4: 1-2b-3b-4b-5-6b-7b-1
Lydian b3: 1-2-3b-4#-5-6-7-1
Dominant b2: 1-2b-3-4-5-6-7b-1
Lydian Aug #2: 1-2#-3-4#-5#-6-7-1
Locrian bb7: 1-2b-3b-4-5b-6b-7bb-1

Hungarian Minor: 1-2-3b-4#-5-6b-7-1
Oriental: 1-2b-3-4-5b-6-7b-1
Ionian Aug #2: 1-2#-3-4-5#-6-7-1
Ionian bb3 bb7: 1-2b-3bb-4-5b-6b-7bb-1
Double Harmonic: 1-2b-3-4-5-6b-7-1
Lydian #6 #2: 1-2#-3-4#-5-6#-7-1
Alt N5 bb7: 1-2b-3b-3-5-6b-7bb-1

Hungarian Major: 1-2#-3-4#-5-6-7b-1
Alt bb6 bb7: 1-2b-3b-3-5b-6bb-7bb-1
Locrian N2 N7: 1-2-3b-4-5b-6b-7-1
Alt N6: 1-2b-3b-3-5b-6-7b-1
Melodic Aug: 1-2-3b-4-5#-6-7-1
Dorian b2 #4: 1-2b-3b-4#-5-6-7b-1
Lydian Aug #3: 1-2-3#-4#-5#-6-7-1

Neapolitan Minor: 1-2b-3b-4-5-6b-7-1
Lydian #6: 1-2-3-4#-5-6#-7-1
Dominant Aug: 1-2-3-4-5#-6-7b-1
Hungarian Gypsy: 1-2-3b-4#-5-6b-7b-1
Locrian N3: 1-2b-3-4-5b-6b-7b-1
Ionian #2: 1-2#-3-4-5-6-7-1
Alt bb3 bb7: 1-2b-3bb-3-5b-6b-7bb-1

Neapolitan Major: 1-2b-3b-4-5-6-7-1
Lydian Aug #6: 1-2-3-4#-5#-6#-7-1
Lydian Dom Aug: 1-2-3-4#-5#-6-7b-1
Lydian Minor: 1-2-3-4#-5-6b-7b-1
Major Locrian: 1-2-3-4-5b-6b-7b-1
Alt N2: 1-2-3b-3-5b-6b-7b-1
Alt bb3: 1-2b-3bb-3-5b-6b-7b-1

Enigmatic Minor: 1-2b-3b-4#-5-6#-7-1
Mode 2: 1-2-4-4#-6-6#-7-1
Mode 3: 1-2#-3-5-5#-6-7b-1
Mode 4: 1-2b-3-4-5b-6bb-7bb-1
Mode 5: 1-2#-3-4-5b-6b-7-1
Mode 6: 1-2b-3bb-3-5bb-6b-7bb-1
Mode 7: 1-2b-3bb-3-5-6b-7-1

Enigmatic: 1-2b-3-4#-5#-6#-7-1
Mode 2: 1-2#-4-5-6-6#-7-1
Mode 3: 1-2-3-4#-5-6b-7bb-1
Mode 4: 1-2-3-4-5b-6bb-7b-1
Mode 5: 1-2-3b-3-4-6b-7b-1
Mode 6: 1-2b-3bb-3-5b-6b-7b-1
Mode 7: 1-2b-3bb-4-5-6-7-1

Composite II: 1-2b-3-4#-5-6b-7-1
Mode 2: 1-2#-4-4#-5-6#-7-1
Mode 3: 1-2-3b-3-5b-6b-7bb-1
Mode 4: 1-2b-3bb-4-5b-6bb-7b-1
Mode 5: 1-2b-3-4-5b-6-7-1
Mode 6: 1-2#-3-4-5#-6#-7-1
Mode 7: 1-2b-3bb-4-5-6b-7bb-1

Ionian b5: 1-2-3-4-5b-6-7-1
Dorian b4: 1-2-3b-4b-5-6-7b-1
Phrygian bb3: 1-2b-3bb-4-5-6b-7b-1
Lydian b2: 1-2b-3-4#-5-6-7-1
Super Lydian Aug: 1-2#-4-4#-5#-6#-7-1
Aeolian bb7: 1-2-3b-4-5-6b-7bb-1
Locrian bb6: 1-2b-3b-4-5b-6bb-7b-1

Locrian N2: 1-2b-3b-4-5b-6b-7-1
Ionian #6: 1-2-3-4-5-6#-7-1
Dorian Aug: 1-2-3b-4-5#-6-7b-1
Phrygian #4: 1-2b-3b-4#-5-6b-7b-1
Lydian #3: 1-2-4-4#-5-6-7-1
Dominant #2: 1-2#-3-4-5-6-7b-1
Alt Alt: 1-2b-3bb-3-5b-6bb-7bb-1

Persian: 1-2b-3-4-5b-6b-7-1
Mode 2: 1-2#-3-4-5-6#-7-1
Mode 3: 1-2-3bb-3-5-6b-7bb-1
Mode 4: 1-2b-3b-4#-5-6b-7-1
Mode 5: 1-2-4-4#-5-6#-7-1
Mode 6: 1-2#-3-4-5#-6-7b-1
Mode 7: 1-2b-3bb-4-5b-6bb-7bb-1

Minor Pent: 1-3b-4-5-7b-1
Major Pent: 1-2-3-5-6-1
Mode 3: 1-2-4-5-7b-1
Mode 4: 1-3b-4-5#-7b-1
Mode 5: 1-2-4-5-6-1

Kumoi: 1-2-3b-5-6-1
Mode 2: 1-2b-4-5-7b-1
Mode 3: 1-3-5b-6-7-1
Mode 4: 1-2-4-5-6b-1
Mode 5: 1-3b-4-5b-7b-1

Hirojoshi: 1-2-3b-5-6b-1
Mode 2: 1-2b-4-5b-7b-1
Mode 3: 1-3-4-6-7-1
Mode 4: 1-2b-4-5-6b-1
Mode 5: 1-3-4#-5-7-1

Whole Tone: 1-2-3-4#-5#-6#-1

Augmented: 1-2#-3-5-6b-7-1
Mode 2: 1-2b-3-4-5#-6-1

Pelog:1-2b-3b-3-5-6b-1
Mode 2: 1-2-3b-4#-5-7-1
Mode 3: 1-2b-3-4-6-7b-1
Mode 4: 1-2#-3-5#-6-7-1
Mode 5: 1-2b-4-5b-6b-7bb-1
Mode 6: 1-3-4-5-6b-7-1

Dominant Sus: 1-2-4-5-6-7b-1
Mode 2: 1-3b-4-5-6b-7b-1
Mode 3: 1-2-3-4-5-6-1
Mode 4: 1-2-3b-4-5-7b-1
Mode 5: 1-2b-3b-4-6b-7b-1
Mode 6: 1-2-3-5-6-7-1

Dimin: Whole-Half: 1-2-3b-4-5b-6b-6-7-1
Half-Whole Dimin: 1-2b-3b-3-4#-5-6-7b-1

8 Tone Spanish: 1-2b-3b-3-4-5b-6b-7b-1
Mode 2: 1-2-3b-3-4-5-6-7-1
Mode 3: 1-2b-2-3b-4-5-6-7b-1
Mode 4: 1-2b-2-3-4#-5#-6-7-1
Mode 5: 1-2b-3b-4-5-6b-7b-7-1
Mode 6: 1-2-3-4#-5-6-7b-7-1
Mode 7: 1-2-3-4-5-6b-6-7b-1
Mode 8: 1-2-3b-4-5b-5-6b-7b-1

Bebop Locrian N2: 1-2-3b-4-5b-6b-7b-7-1
Mode 2: 1-2b-3b-3-4#-5#-6-7b-1
Mode 3: 1-2-3b-4-5-6b-6-7-1
Mode 4: 1-2b-3b-4-5b-5-6-7b-1
Mode 5: 1-2-3-4-5b-6b-6-7-1
Mode 6: 1-2-3b-3-4#-5-6-7b-1
Mode 7: 1-2b-2-3-4-5-6b-7b-1
Mode 8: 1-2b-3b-3-4#-5-6-7-1

Bebop Dominant: 1-2-3-4-5-6-7b-7-1
Bebop Minor: 1-2-3b-4-5-6b-6-7b-1
Bebop Loc add 5: 1-2b-3b-4-5b-5-6b-7b-1
Mode 4: 1-2-3-4-5b-5-6-7-1
Mode 5: 1-2-3b-3-4-5-6-7b-1
Mode 6: 1-2b-2-3b-4-5-6b-7b-1
Mode 7: 1-2b-2-3-4#-5-6-7-1
Mode 8: 1-2b-3b-4-5b-6b-7b-7-1

Bebop Dorian: 1-2-3b-4-5-6-7b-7-1
Mode 2: 1-2b-3b-4-5-6b-6-7b-1
Mode 3: 1-2-3-4#-5-6b-6-7-1
Mode 4: 1-2-3-4-5b-5-6-7b-1
Mode 5: 1-2-3b-3-4-5-6b-7b-1
Mode 6: 1-2b-2-3b-4-5b-6b-7b-1
Mode 7: 1-2b-2-3-4-5-6-7-1
Mode 8: 1-2b-3b-3-4#-5#-6#-7-1

Bebop Major: 1-2-3-4-5-6b-6-7-1
Mode 2: 1-2-3b-4-5b-5-6-7b-1
Mode 3: 1-2b-3b-3-4-5-6b-7b-1
Mode 4: 1-2-3b-3-4#-5-6-7-1
Mode 5: 1-2b-2-3-4-5-6-7b-1
Mode 6: 1-2b-3b-3-4#-5#-6-7-1
Mode 7: 1-2-3b-4-5-6b-7b-7-1
Mode 8:1-2b-3b-4-5b-6b-6-7b-1

SirChick · 02-03-2007, 07:16 AM

All i can say, is that is amazing! lol!!!! This is what i been looking for soo long !

SirChick · 02-06-2007, 05:37 PM

Do the numbered modes have an actual name? or are they made up so you named them that? :S ?

RobinHood · 02-18-2007, 09:38 PM

I think ill rather stick to my ears for playing....This looks like EINSTEIN stuff to me...lol