As promised, some
ELO.
Uploading flac is a pain, so I will upload the other show I have, perhaps this weekend, otherwise next week.
(Patience! I _WILL_ post it!)
ELO shows are hard to find, but artwork even harder.
So if some kind soul (have/knows where to find/is creative enough to make)* some artwork?
setlist:
1-01 Fire on high
1-02 Night in the city
1-03 Turn to stone
1-04 Eldorado overture
1-05 Can't get it out of my head
1-06 Cello solo
1-07 Telephone line
1-08 Rockaria!
1-09 Violin solo
2-01 Strange magic
2-02 Showdown
2-03 Sweet talkin' woman
2-04 Evil woman
2-05 Livin' thing
2-06 Do ya
2-07 Ma ma ma belle
2-08 Roll over Beethoven
First 15 tracks:
http://www.megaupload.com/?d=4E51LJGK
Last 2 tracks:
http://rapidshare.com/files/47503387...saka2.zip.html
Later.
Extract from the included info:
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Electric Light Orchestra -
February 23, 1978
Unknown Venue - Osaka, Japan
Source: Unknown Audience cassette-> DAT @ 44.1khz-> CD Wave-> Samplitude->
CD-> FLAC
Rating: A-/B+
Summary:
This recording is somewhat rare its existence in that it is the lesser known of
the only 2 known recordings to circulate from the Out Of The Blue tour. The
other recording is London's Wembley Arena (see below), which falls quite short
in my opinion, from being considered a definitive example of the majestic sound
ELO generated. The mix is most-sterile sounding until halfway through when it
evens out. The thing that the London show really has going for it is that it's a
great performance, which the Osaka show is as well.
As many memorable Japanese rock concerts confirm from so many bands of that
decade this is a very respectful audience. The crowd is "as good as it gets" for
a rock concert of this scale back in the 70’s: they applaud between songs and
remain quiet while their being played. There is a small amount of chatter by
either the taper or someone close to them in a couple points in the show but it
is between songs and in no way is distracting. The first time I listened to this
recording, I was struck by how mellow the audience is between songs. I
distinctly remember thinking to myself, "man, they must all be halfway sedated
or something" because their so respectful. That's the Japanese audiences back
then. The vibe is not-at-all what you would hear at most shows in the U.S. back
then. It's real nice!
In terms of performance quality, the band is most definitely in top form -
harmonies are tight, rhythm section is on and the band is most certainly
enjoying themselves. In terms of overall sound quality, the taper is a little
distant from the source; however, let that not be a limitation whatsoever. The
band can be heard clearly with EVERY instrument and, in my humble opinion, I
think the distance of this taper from the source allows for maximum connection
between the sound by the band and the acoustics of the room, creating that
inimitable feeling of "being there" when you listen to it. Add to that the
historical significance of this tour for the band and you quickly come to
realize this one is unparalleled.
If you're a fan or just have a passing interest this one is most definitely
worth checking out!
If I had to choose between the London - which is very much incomplete! - and the
COMPLETE, note for note, Japan show, the latter would win out without question.
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Linear Mode
