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Old 02-25-2007, 09:47 PM   #1 (permalink)
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Guitar Tuning Tips --Credit to Orig Poster

Tuning Tips:

An electronic tuner may be useful to the novice guitarist for whom tuning their guitar is probaby more demanding than actually playing it. Invest in an electronic guitar tuner. Most music shops sell them, starting at about £20 - Nov 1999. Ask to be shown how to use it if not sure.

Ensure tuner receives maximum treble signal from guitar. Playing open harmonics at fret 12 particularly useful for bass guitar tuning. Beware of erroneous results from alternative string vibrations. If problems persist check battery condition.

When tuning strings at fret 12 consider to use open harmonic note. Hold finger lightly against string directly above fret and remove immediately after plucking string. The middle of the string is pacified whilst the two halves vibrate a clear bell like tone. Most useful for ensuring an accurate steady note for comparing/tuner. Also allows hand to turn tuning machine whilst note is sounding. Natural harmonics can usually be found at frets with position markers.

When tuning a stringed instrument always 'tune up' with the string under tension to ensure it stays in tune and does not slip due to latent friction e.g. at the nut, tuning peg, string guide.

When tuning - ideally using an electronic tuner, if you find a string is a little sharp DO NOT detune it. Stretch the string by pulling it away from the fretboard in about three positions (over pickups, over twelfth fret and over fifth fret). Check tuning again - repeat until spot on. String will stay in tune longer with this road tested method. Thanks to Frank Laughton

Use this mnemonic adapted from to aid learning names of open guitar strings:
Elephants And Donkeys Grow Big ears

Consider to tune individual strings to these online strings. Click on highlighted notes for corresponding tones. Continuous playback Windows Media select:

Standard pitch tuning:


Diagrams represent neck and show corresponding notes when guitar is in tune. Tuning pegs top, body below. Top letters indicate open string name. Left vertical line is low E thick string. Right vertical line is top e thin string.

E_A_D_G_B_e |_|_|_|_|_|





Tune open A string to pitch of online A string

Tune string E fret 5 to string A open

Tune string D open to string A at fret 5

Tune string G open to string D at fret 5

Tune string B open to string G at fret 4

Tune string e open to string B at fret 5

An alternative tuning method uses octaves of the same note for tuning all the strings. Tune all six strings by comparing A tones at different octaves and different strings with the open string A. This approach has the advantage that all the strings are compared to the same string (A) and not to each other, so any errors on the tuning of one string do not propagate.

String A: Compare to pitch of online A string

String E: Compare note fret 5 to open string A

String D: Compare note fret 7 to open string A

String G: Compare note fret 2 to open string A

String B: Compare note fret 10 to open string A

String e: Compare note fret 5 to open string A

Jet Harris, formerly with the Shadows instrumental group, used alternative tuning on a six string guitar to record the hit single Diamonds. All strings were tuned one tone down. Many groups use alternative tuning. A favourite is to tune the guitar a semitone down e.g. Kurt Cobain of Nirvana, Slash of Guns & Roses, Stevie Ray Vaughan, Metallica. This facilitates easier string bending as less tension is required to tune a lower note. The tone or voice of the instrument alters and may become distinctive.

Slack - semitone flat tuning:

Listen for pulsing sound as you tune two notes together. Pulsing is caused by the sum and difference of the two notes you are comparing as you tune. The pulsing gets slower as you approach closer to being in tune and eventually stops when optimum tuning is achieved.

Pipes can be obtained for single notes as well as for all six strings of the guitar. Single pipes are usually set at 'A' with a frequency of 440Hz which matches the fifth fret of the first string. Tuning forks are an alternative to a single pipe and some people prefer the cleaner sounding tone that they produce. Pipes and tuning forks are relatively cheap and easy to carry.

Sounding board for an electric guitar without amplifier e.g. tuning in a dressing room; hold headstock against cupboard or door to enhance volume.

Access more string/tuning tips at New Strings

2. 440Hz ¥

After the early morning BBC2 Open University transmission the test card with the young girl and blackboard has a 440Hz 'A' tone.

Useful tuning reference, providing you wake up in time

Guestbook feedback: 'The French telephone dial-tone is also at 440Hz.' Thankyou.

Unknown source: You can dial up 440Hz to tune your violin in Vienna, Austria.

3. Tuning Fork
A tuning fork may be faint to hear at a live gig. Hold the vibrating fork over an electric guitar pick-up for amplification through amplifier.

BTW: A vibrating tuning fork held against a spider's web will simulate a struggling entangled insect thus enticing the spider from it's lair. Remember where you heard it first !

4. String G
If on a restricted budget and strings require changing due to tuning/intonation problems consider changing string G (3rd) only. This is the most critical string, especially to the rhythm guitarist, as it is used in most chords and tends to be the first string to impair intonation.

5. Intonation
String saddles at bridge are adjustable for optimum intonation. Modern electronic tuners make this task easier. Always make your guitar intonation checks in the playing position as they may vary when guitar is laid on a bench.

The open harmonic note (lightly momentarily touch string at fret 12 as you play it to produce octave bell like tone) should be the same as the note fretted at the 12th fret for each string. If the string is too long or short intonation will suffer.

If the harmonic note at fret 12 is higher than the fretted note at fret 12 the string is too short.

If the harmonic note at fret 12 is lower than the fretted note at fret 12 the string is too long.

Change the length of each string by string saddle adjustment after detuning to allow movement of saddle, then retune to check.

Only attempt this with new strings fitted and be aware that different types of string may require fresh intonation adjustments.

6. Trem / Tremolo / Vibrato Arm Adjustments
The word trem or tremolo is a misnomer as it means a variation of volume. It is often used instead of vibrato meaning a variation of pitch.

Pitch-diving is a wonderful means of expression but increases the risk of tuning problems.

Some modern styles of Stratocaster have graphite nut (string guide) roller nut / locking nut with fine tuners and locking machine heads etc.

On a vintage style of Stratocaster, Vaseline grease (first choice) or a drop of lubricant e.g. WD40 applied to the string guide / grooves of the nut, when strings are changed, reduces friction and helps keep guitar in tune especially when using the tremolo / vibrato arm.

I use a clean nail varnish bottle and brush (to store and apply WD40 - especially useful when required for electrical contacts) as aerosol can is too coarse for fine application.

Graphite in the form of pencil lead is also an effective and convenient lubricant but may look unsightly on a white nut.

Take care to remember that the mechanism is balanced by strings and springs, consideration for both is required to avoid damage. The Stratocaster tremelo / vibrato features a 'floating' bridge which will often require repeat tuning until finally settled. If a string should break then all the other strings will be affected due to the change in tension on the mechanism.

Consider to lubricate / grease all moving points of contact e.g. springs / screws to plates if appropriate, within mechanism. Aim to reduce all string and mechanism friction to a minimum. Protect non varnished wood from lubricants to avoid staining.

Use outside screws on bridge plate to set angle of bridge plate from guitar body. Any inner screws set 1/16 inch or 1.5 mm high above bridge plate. The bridge will now pivot on outside screws, leaving inner screws (if fitted) for bridge stability. Lubricate bridge contact points. This excellent tip was sourced and adapted from 'Tremolo Tricks and Tips' by Jack Schwartz in Fender frontline magazine Volume 26 July-Dec 1999.

I use a stiff adjustment on the springs with bridge plate heel set 1/16 inch or 1.5 mm above body achieved by adjusting the two large spring plate screws located under plastic cover at back of guitar body and above mentioned bridge plate screws.

Set the springs, my guitar has three, tight enough to ensure no movement of tremolo / vibrato arm when string G (3rd) is bent one tone at fret 12. In fact I achieve required tension by screwing in the two large Tremelo springs adjustment screws so that spring plate is 1/8 inch or 3 mm away from adjacent internal cavity wall.
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Old 02-25-2007, 09:49 PM   #2 (permalink)
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Beyond Intonation


What i have encountered quite a lot---> Most of the time when you get just ONE string that gives trouble,

1) replace it..Ive seen "dud" strings that will make you want to break your guitar out of frustration, and in the mean time...its the string

2) If it looks as if the saddle is going "beyond" the bridge, tighten the truss-rod a little and'll notice most ( if not all ) of the saddles will then have to be moved forward a little...

3) tighten/loosen the nut at the truss-rod ( just slightly ) and notice any differences...( Don't loosen if a saddle is already at the utmost this case, rather tighten the truss-rod or replace the string )

You get this quite a lot on "new" guitars as they tend to still be "running in"

Last edited by RobinHood; 03-04-2007 at 05:29 AM..
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