The Yardbirds Feat. Jimmy Page
march 30, 1968.
Anderson Theater, New York
Arguably the most famous lost live album in history, Live Yardbirds Featuring
Jimmy Page, cut at the Anderson Theater in New York on March 30, 1968, has been issued twice on vinyl legitimately (only to be suppressed by legal action) and innumerable times since as a bootleg. In August 2000, Mooreland St. Records put out the first authorized CD edition of the performance, and it is a complete revelation. The original master tape has been improved significantly; the absence of vinyl noise is an obvious plus, but the sheer impact of the instruments is also startling, given that the show was taped by a producer who had never recorded a rock band before, on equipment that was ten years out of date. The producers have expanded this reissue with help from a separate reference tape, an audience recording that preserved the complete unedited show; it's somewhat low-fi, but it captures material edited from the finished master, and it allows for the restoration of little nuances. Page's guitar (which goes out of tune several times) is the dominant instrument, alternately crunchy and lyrical, but always loud and dexterous; the roughness of Keith Relf's singing is also more apparent, but his shortcomings don't really hurt the music. The performance also reveals just how far out in front of the psychedelic pack the Yardbirds were by the spring of 1968; Page had pushed the envelope about as far as he could, in terms of high-velocity guitar pyrotechnics. Ironically, this album isn't quite as strong as the contemporary Truth album by Jeff Beck, mostly because the Yardbirds were still juggling three sounds: the group's progressive pop/rock past, the psychedelia of 1968, and a harder, more advanced blues-based sound. It's clear that they had few places left to go with the first two; "Dazed and Confused," by contrast, represented something new, a slow blues as dark, forbidding, and intense as anything that the band had ever cut -- it showed where Page, if not this band, was heading.(Bruce Eder, All Music Guide)
This album was originally recorded in 1968 during The Yardbirds' final incarnation, which featured Jimmy Page as the band's fourth guitarist. The band played a live gig at the Anderson Theater in New York in March of '68 that was recorded for possible issuance as a live album; however, when the band heard the tapes, they decided against its release. Four months later, The Yardbirds were history.
In 1971, the band's old U.S. label released the album to capitalize on Page's sudden success with
Led Zeppelin. Page quickly got an injunction against the label, and album was withdrawn from the market. The vinyl version of the album is very scarce
1 The Train Kept A Rollin' (Bradshaw/Kay/Nathan)
2 Dazed and Confused (Holmes/Yardbirds)
3 The Train Kept A Rollin' (Bradshaw/Kay/Nathan)
4 You're a Better Man Than I/Heart Full of... (Gouldman/Hugg/Hugg))
5 Dazed and Confused (Holmes/Yardbirds)
6 My Baby (Ragovoy/Shuman)
7 Over, Under, Sideways, Down (Beck/Dreja/McCarty/Relf/Samwell/Smith)
8 Drinking Muddy Water (Dreja/McCarty/Page/Relf)
9 Shapes of Things (McCarty/Relf/Samwell/Smith)
10 White Summer (Page)
11 I'm a Man (Diddley)
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