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Discussion Starter · #1 ·
Playing around with I-IV-V I realized where the blue notes may have come from. This is from the modulation method and not the inversion. Let's play with C

I - C D E F G A B C
IV - F G A Bb C D E F
V - G A B C D E F# G

Bb and F# not found on ( I ) so I added them converting F# to Gb

C D E F Gb G A Bb B C

I came up with this scale

I II III IV bV V VI bVII VII

Looks like a blues scale to me. :)
 

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Looks kind of like the Blues 2 form that I have on one of my sheets.

The blues form that I have for blues 2 is...
1 2 -3 3 4 -5 5 -7

C D Eb E F Gb G Bb
 
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