Playing around with I-IV-V I realized where the blue notes may have come from. This is from the modulation method and not the inversion. Let's play with C
I - C D E F G A B C
IV - F G A Bb C D E F
V - G A B C D E F# G
Bb and F# not found on ( I ) so I added them converting F# to Gb
C D E F Gb G A Bb B C
I came up with this scale
I II III IV bV V VI bVII VII
Looks like a blues scale to me.
I - C D E F G A B C
IV - F G A Bb C D E F
V - G A B C D E F# G
Bb and F# not found on ( I ) so I added them converting F# to Gb
C D E F Gb G A Bb B C
I came up with this scale
I II III IV bV V VI bVII VII
Looks like a blues scale to me.