*Posted by DavePas63 *
The Police
New York City, NY, USA
Shea Stadium
18 Aug 1983
Remaster Lineage:
download from Guitars 101> Trader's Little Helper (decode to wav) > MVSep (crowd noise removal using Ensemble MDX23C + Mel Roformer model) > GoldWave (restore applause, editing, further crowd noise removal/reduction) > Trader's Little Helper (SBE correction, flac level 6)
Remaster Notes:
Excellent recording, particularly given the venue, crowd size and date. Nevertheless, there was crowd chatter, up close talking and whistling that was noticeable at times, particularly with headphones. MVSep has removed almost all of such issues. I was present at this show (my first concert) - we arrived too late to see REM but did catch Joan Jett (who was more well known at the time). Took longer to get out of the parking lot than it did to see the show. Cover art included in file.
Original Text File:
People: Sold Out
Time: An all day event
Support act: REM, Joan Jett and the Blackhearts
Length: 101'
Source: Audience
Quality: 10
Notes:
Origin: Matteo Foa'
Taper:
Lineage: Audience>Low generation cassette
Conversion: Cass(?)>Nakamichi Dragon>CD-RW700>coax>M-Audio FireWire 410>coolpro>cdwav>FLAC (level 8 w/ verify)
The CD-RW700 is used only for the A/D conversion and is a pass-through.
There is no DAE in the lineage/conversion
Conversion by: Carlo Bolchini 7/Feb/2005
Size: 0.99 GB
Compressed: 691 MB
Disc 1
01) Voices inside my head
02) Synchronicity I
03) Synchronicity II
04) Walking in your footsteps
05) Message in a bottle
06) Walking on the moon
07) Oh my God
08) De do do do de da da da
09) Wrapped around your finger
10) Tea in the Sahara
11) Spirits in the material world [tape flip]
12) Hole in my life [cuts in, but only 1 chord lost]
13) Invisible sun
14) One world (not three) [Tea break]
Disc 2
01) King of pain [Tea break]
02) Every breath you take
03) Murder by numbers
04) Don't stand so close to me
05) Roxanne [change of tape (probably)]
Encores:
06) Can't stand losing you > Reggatta de blanc Can't stand losing you
07) So lonely
--
This is one of the best Police recordings, from a really low generation copy, transferred with all possible love. It's so good I rated it the maximum, even if it has a very slight hiss and really a few of that small "vintage" analog distortion. Actually is one of the best recordings of that era I've ever heard. You can even hear stereo effects (mainly the guitar going from a stack to the other), which tells us that the taper was greatly placed in the middle. Thank you taper for this great job!
From this tape it was taken the vinyl bootleg "I'd like to thank the Beatles from lending us their Stadium", which is the grandpa of all the other Shea Stadium bootlegs. So we can say we have a pre-bootleg source here!
The sound is greatly balanced and the performance is what you would expect from a show at the legendary Shea Stadium, where the Beatles performed, specially since Sting played with a freshly broken rib, a consequence of one of his famous playful wrestling match with Stewart Copeland they did after the soundcheck.
There is a chapter dedicated to the Shea Stadium gig on "Wild Thing", a book by Stewart's brother Ian Copeland, who was the Police agent at the time. I suggest you get and read the whole book, it's an interesting reading.
This show sold out in less than three hours, definitely a record for the time.
What else can I say?
No eq, no noise reduction, no speed adjustment. There is a small dropout after "Message in a bottle", but it does not touch any music. I could have cut it, and you wouldn't have noticed (well, actually I cut a small silence after the dropout, but if I didn't
told you...).
You can hear someone says "Bullshit" when Sting announces the Tea break after "One world".
NOT FOR SALE - STRICTLY TRADES ONLY
If you have a better copy or any different source, please contact me.
-- Carlo Bolchini - www.bolchini.com/police - 24/Feb/2005
History:
- 24 Feb 2005 This file created.
mega.nz
The Police
New York City, NY, USA
Shea Stadium
18 Aug 1983
Remaster Lineage:
download from Guitars 101> Trader's Little Helper (decode to wav) > MVSep (crowd noise removal using Ensemble MDX23C + Mel Roformer model) > GoldWave (restore applause, editing, further crowd noise removal/reduction) > Trader's Little Helper (SBE correction, flac level 6)
Remaster Notes:
Excellent recording, particularly given the venue, crowd size and date. Nevertheless, there was crowd chatter, up close talking and whistling that was noticeable at times, particularly with headphones. MVSep has removed almost all of such issues. I was present at this show (my first concert) - we arrived too late to see REM but did catch Joan Jett (who was more well known at the time). Took longer to get out of the parking lot than it did to see the show. Cover art included in file.
Original Text File:
People: Sold Out
Time: An all day event
Support act: REM, Joan Jett and the Blackhearts
Length: 101'
Source: Audience
Quality: 10
Notes:
Origin: Matteo Foa'
Taper:
Lineage: Audience>Low generation cassette
Conversion: Cass(?)>Nakamichi Dragon>CD-RW700>coax>M-Audio FireWire 410>coolpro>cdwav>FLAC (level 8 w/ verify)
The CD-RW700 is used only for the A/D conversion and is a pass-through.
There is no DAE in the lineage/conversion
Conversion by: Carlo Bolchini 7/Feb/2005
Size: 0.99 GB
Compressed: 691 MB
Disc 1
01) Voices inside my head
02) Synchronicity I
03) Synchronicity II
04) Walking in your footsteps
05) Message in a bottle
06) Walking on the moon
07) Oh my God
08) De do do do de da da da
09) Wrapped around your finger
10) Tea in the Sahara
11) Spirits in the material world [tape flip]
12) Hole in my life [cuts in, but only 1 chord lost]
13) Invisible sun
14) One world (not three) [Tea break]
Disc 2
01) King of pain [Tea break]
02) Every breath you take
03) Murder by numbers
04) Don't stand so close to me
05) Roxanne [change of tape (probably)]
Encores:
06) Can't stand losing you > Reggatta de blanc Can't stand losing you
07) So lonely
--
This is one of the best Police recordings, from a really low generation copy, transferred with all possible love. It's so good I rated it the maximum, even if it has a very slight hiss and really a few of that small "vintage" analog distortion. Actually is one of the best recordings of that era I've ever heard. You can even hear stereo effects (mainly the guitar going from a stack to the other), which tells us that the taper was greatly placed in the middle. Thank you taper for this great job!
From this tape it was taken the vinyl bootleg "I'd like to thank the Beatles from lending us their Stadium", which is the grandpa of all the other Shea Stadium bootlegs. So we can say we have a pre-bootleg source here!
The sound is greatly balanced and the performance is what you would expect from a show at the legendary Shea Stadium, where the Beatles performed, specially since Sting played with a freshly broken rib, a consequence of one of his famous playful wrestling match with Stewart Copeland they did after the soundcheck.
There is a chapter dedicated to the Shea Stadium gig on "Wild Thing", a book by Stewart's brother Ian Copeland, who was the Police agent at the time. I suggest you get and read the whole book, it's an interesting reading.
This show sold out in less than three hours, definitely a record for the time.
What else can I say?
No eq, no noise reduction, no speed adjustment. There is a small dropout after "Message in a bottle", but it does not touch any music. I could have cut it, and you wouldn't have noticed (well, actually I cut a small silence after the dropout, but if I didn't
told you...).
You can hear someone says "Bullshit" when Sting announces the Tea break after "One world".
NOT FOR SALE - STRICTLY TRADES ONLY
If you have a better copy or any different source, please contact me.
-- Carlo Bolchini - www.bolchini.com/police - 24/Feb/2005
History:
- 24 Feb 2005 This file created.
